{"id":2504,"date":"2024-04-24T13:55:53","date_gmt":"2024-04-24T12:55:53","guid":{"rendered":"https:\/\/madamfortuna.be\/?p=2504"},"modified":"2025-03-13T09:43:40","modified_gmt":"2025-03-13T08:43:40","slug":"hannibal","status":"publish","type":"post","link":"https:\/\/madamfortuna.be\/en\/hannibal\/","title":{"rendered":"Hannibal"},"content":{"rendered":"<p class=\" translation-block\">The Punic Wars, as a metaphor for all the wars fought today in this ever-changing, terrifying world. <em>Hannibal<\/em> offers a lens through which we explore the confrontation between old and new. Traditional European culture is, according to some, under pressure from hyperdiverse Europe. The idea that barbarians are once again at the gate, ready to erase European history, seems, however absurd, to be revived. <em>Hannibal<\/em> therefore opens a window on the past, present and future of Europe through the unique synergy between opera and slam, contemporary dance and acting. The makers take the opera <em>Dido and Aeneas<\/em> as their starting point, in which the mythical origins of the conflict between Europe and North Africa form the backdrop.<br><br>In <em>Hannibal<\/em>, artists from Africa and Europe intertwine contemporary video and projection techniques with traditional live painting and acoustic instruments. Brought to you by many, from one heartbeat<\/p>\n\n\n\n<p>Madam Fortuna participates in this unique project with a spicy choir led by Enrique Noviello.&nbsp;<\/p>\n\n\n\n<p><strong>A project by KVS \/ Brussels in collaboration with De Munt, Madam Fortuna and many others.<\/strong><\/p>\n\n\n\n<p>For more information: see www.kvs\/hannibal<\/p>\n\n\n<div class=\"wp-block-ub-content-toggle\" id=\"ub-content-toggle-288d77a2-87cc-41e7-949b-90840a33ab20\" data-mobilecollapse=\"false\" data-desktopcollapse=\"true\">\n<div class=\"wp-block-ub-content-toggle-accordion\" id=\"ub-content-toggle-panel-block-c60a528d-a4e8-445d-867a-7b8ca4351286\">\n                <div class=\"wp-block-ub-content-toggle-accordion-title-wrap\"\" aria-controls=\"ub-content-toggle-panel-0-288d77a2-87cc-41e7-949b-90840a33ab20\" tabindex=\"0\">\n                    <p class=\"wp-block-ub-content-toggle-accordion-title ub-content-toggle-title-288d77a2-87cc-41e7-949b-90840a33ab20\">Credits<\/p><div class=\"wp-block-ub-content-toggle-accordion-toggle-wrap right\"><span class=\"wp-block-ub-content-toggle-accordion-state-indicator wp-block-ub-chevron-down\"><\/span>\n                    <\/div><\/div><div role=\"region\" aria-expanded=\"false\" class=\"wp-block-ub-content-toggle-accordion-content-wrap ub-hide\" id=\"ub-content-toggle-panel-0-288d77a2-87cc-41e7-949b-90840a33ab20\">\n\n<p><strong>Regie | mise en sc\u00e8ne | direction<\/strong> JUNIOR MTHOMBENI &amp; MICHAEL DE COCK <strong>dramaturgie | dramaturgy<\/strong> GERARDO SALINAS <strong>muzikale dramaturgie | dramaturgie musicale | musical dramaturgy<\/strong> TOM SWAAK <strong>met | avec | with<\/strong> VIANNEY ADRIAENS, KIREZI KALISA, DORA ALMELEH, MOHA AMAZIAN, PIERRE ANGANDA, ABEL BAECK, MARIOS BELLAS, JUSTINE BOURGEUS, IBRAHIMA CISSOKO, GALA DRAGOT, RAPHA\u00cbLE GREEN, AMINA IDRISSU, TONIC MENDI JACOBS, TOM KESTENS, ALIX KONADU, NINA PLANTEFEVRE-CASTRYCK, EMMA POSMAN, ZACH SWAGGA, BAHAR TEMIZ, JUTTA TROCH <strong>scenografie | sc\u00e9nographie | set design<\/strong> STEF STESSEL <strong>lichtontwerp | conception de lumi\u00e8re | light design<\/strong> DIMI STUYVEN <strong>kostuumontwerp | conception de costumes | costume design<\/strong> MARIE SZERSNOVICZ <strong>video-ontwerp | design vid\u00e9o | video design<\/strong> FRANCESC ISERN schilderij | peinture | painting ELKE GIJSEMANS <strong>productieleiding | directeur\u00b7rice de production | production manager<\/strong> CATHERINE VERVAECKE &amp; ROBIN HECTORS <strong>toneelmeester | regie de plateau | stage manager<\/strong> CAROLINE WAGNER <strong>geluid | son | sound<\/strong> BRAM MORIAU <strong>licht | lumi\u00e8res | light<\/strong> DIMI STUYVEN VIDEO THIBAUD DECOENE <strong>boventiteling | surtitrage | surtitling<\/strong> INGE FLOR\u00c9 <strong>productie | production<\/strong> KVS <strong>coproductie | coproduction<\/strong> OPERA BALLET VLAANDEREN, DE MUNT \/ LA MONNAIE, THEATRE DE LIEGE, TNC, COMPAGNIE DU THEATRE NATIONAL DANIEL SORANO, MADAME FORTUNA, PERPODIUM <strong>met speciale dank aan \/ avec des remerciements particuliers \u00e0 \/ with special thanks to<\/strong> THEATER ARSENAAL <strong>met de steun van | avec le soutien de | with the support<\/strong> THE BELGIAN FEDERAL GOVERNMENT VIA CRONOS INVEST, THE EUROPEAN UNION (HORIZON 2020 PROGRAMME)<\/p>\n\n<\/div><\/div>\n<\/div>\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"257\" src=\"https:\/\/madamfortuna.be\/wp-content\/uploads\/2024\/04\/hanniubal-1024x257.png\" alt=\"\" class=\"wp-image-2516\" srcset=\"\" sizes=\"(max-width: 1024px) 100vw, 1024px\" data-srcset=\"\" \/><\/figure>","protected":false},"excerpt":{"rendered":"<p>De Punische oorlogen, als metafoor voor alle oorlogen die vandaag worden gevochten in deze alsmaar veranderende, angstaanjagende wereld. Hannibal biedt een lens waardoor we de confrontatie tussen oud en nieuw verkennen. De traditionele Europese cultuur staat volgens sommigen onder druk van het hyperdiverse Europa. Het idee dat barbaren opnieuw aan de poort staan, klaar om [&hellip;]<\/p>","protected":false},"author":4,"featured_media":2687,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ub_ctt_via":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[111,81],"tags":[],"class_list":{"0":"post-2504","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-111","8":"category-open-calls-archief","9":"entry"},"aioseo_notices":[],"featured_image_src":"https:\/\/madamfortuna.be\/wp-content\/uploads\/2024\/04\/Captura-de-Pantalla-2024-06-18-a-las-9.55.38-600x400.png","author_info":{"display_name":"Madam Fortuna Communicatie","author_link":"https:\/\/madamfortuna.be\/en\/author\/anc\/"},"featured_image_src_square":"https:\/\/madamfortuna.be\/wp-content\/uploads\/2024\/04\/Captura-de-Pantalla-2024-06-18-a-las-9.55.38-600x600.png","_links":{"self":[{"href":"https:\/\/madamfortuna.be\/en\/wp-json\/wp\/v2\/posts\/2504"}],"collection":[{"href":"https:\/\/madamfortuna.be\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/madamfortuna.be\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/madamfortuna.be\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/madamfortuna.be\/en\/wp-json\/wp\/v2\/comments?post=2504"}],"version-history":[{"count":9,"href":"https:\/\/madamfortuna.be\/en\/wp-json\/wp\/v2\/posts\/2504\/revisions"}],"predecessor-version":[{"id":3017,"href":"https:\/\/madamfortuna.be\/en\/wp-json\/wp\/v2\/posts\/2504\/revisions\/3017"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/madamfortuna.be\/en\/wp-json\/wp\/v2\/media\/2687"}],"wp:attachment":[{"href":"https:\/\/madamfortuna.be\/en\/wp-json\/wp\/v2\/media?parent=2504"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/madamfortuna.be\/en\/wp-json\/wp\/v2\/categories?post=2504"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/madamfortuna.be\/en\/wp-json\/wp\/v2\/tags?post=2504"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}